Queen of Cups

Rough (very) Draft

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Synthetic Meaning

            Seated and facing to the left, on a dais, and wearing a double headdress, holding in her right hand a capped cup and in her left a scepter in the shape of a white taper, the Queen of Cups symbolizes the intimate condensation of animistic forces in order to express them in the form of love in its universality, as much in devotion as in affection, and with the feeling of its daily application.

Analytic Meaning

            The Cup, resting on her right knee and held firmly in the right hand, denotes its power of realization in the material world in its full animistic radiance.

            The dais, with its enveloping shape, the double headpiece, and the cop, with its cap and spherical shape, all show the great passivity of the Cup, accentuated by its orientation towards the left, concentrated at the interior of Being and clothed, moreover, in universality, the sphere being the representation of the universe as a whole.

            This is also indicated by the shape of the scepter, its white color symbolizing the abstract and the synthesis of principles. It constitutes a antenna capacitor of universal forces. These are collected at the base by her left hand which transfers them to the psyche of the Being. 

            The spindle symbolizes, in general, day-to-day work, carried out with perseverance. This idea, added to the preceding ones, demonstrates the application of feelings, represented by the Queen of Cups in the concrete and the details of life. They are the thousand nuances of love that ennoble its material side. The color of the dais, flesh and yellow, illustrates as well this willing descent into life and the intelligence of matter.

            The red stripe connecting the neck of the Queen of Cups to the end of the scepter and her hand represents an active current powering the force of action in the physical world, the scepter functioning as an antenna.

            Her belt, with its 9 points, is evocative of the triple ternary, which is to say, the harmonious agreement of all its modes, on the three planes. They also indicate the complexity of the domains where psychic activity can be exercised, because the primordial numerals end with 9.

            Her blue headpiece, decorated with a red disk and interposed between her hair and the crown, indicates a wish not to be exposed to the Universal (the crown signifying radiance into the Universal) before it has considered good material undertakings imbued with dedication and designed with a material spirit (the red of the headpiece is surrounded by blue).

            The red ball, separating the tetrahedral base of the Cup from its upper spherical part, symbolizes, Queen of Cups’ capacity for diffusion and by virtue of her specifically intelligent nature, an effort energetic, willful and unceasing, what the spirit must do in the material world in order to reconcile the universal and synthetic role of the animistic intelligence manifested by the sphere with its structure in the physical world, signified by the tetrahedron.

            The covering on the Cup reinforces its passivity in principle, and accentuates the animistic condensation implied by this Card and which is expressed by the treasure of love that all Being is able to possess in its own foundation; but it requires an effort to open the Cup, that is to say, to manifest it. An indication of this effort is that she is holding the Cup in her right hand.

            On the very top of the cup are arranged three rectangles representing the ternary: Love, Light, Life on the spiritual plane and the six motifs in a Greek pattern at the center, locate the double ternary: Love, Light, and Life, in their double aspect of passivity and activity.

            The eight lines below symbolize the four states of matter in passivity and activity, and the three lines on the central red ball are the reflections of the ternary on the material plane.

Meanings as They Relate to the Three Planes

            MENTAL. Transcendence. Connection with universal forces or with great intelligences.

            ANIMISTIC. This card transcends sexual love, and represents universal love, a superior altruism.

            PHYSICAL. Mastery, complete success. Any matter of feeling is achieved in full. Perfect health.

            INVERTED. Very bad. A darkening which persists, because all principles are disrupted, turned upside down. Total distraction. Escape from this requires in this case the assistance of the Page of Swords and, above all, the Knight of Swords.

*

            In its Elementary Sense, the Queen of Cups represents feelings of altruism which Man carries deep within himself, but which he cannot manifest except through daily effort with dedication and affection.

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Jumbo Marseille Deck by Anna Maria Morsucci and Mattia Ottolini

For a long time I had been wanting to find an oversized Marseille deck. Morsucci and Ottolini’s Professional Edition deck, published by Lo Scarabeo, is similar in details to the standard Conver TdM. The cards are sturdy and the quality of printing excellent. This deck was published last year along with an English translation of Morsucci’s handbook Readings and Understanding the Marseille Tarot. Here’s a quick flip through the majors.

Queen of Batons

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Synthetic Meaning

            Sitting and neatlywrapped, the Queen of Batons, oriented towards the right with her scepter in the shape of a club, her crown resting on her long hair, white and scattered on her shoulders, she represents the intimate grouping of energies of Being for ensuring mastery of matter and defense against the opposing forces which can arise.

Analytic Meaning

            The active preoccupation of the Queen of Batons, facing an unforeseen circumstance, is indicated by her observant gaze turned towards the right, and her mastery, by the shape of her baton.

Specific Analogies

            The interposition of locks of hair between her head and the crown decreases the influence of the later and shows that her mastery is exercised more downwards than what is on High. The red garment, with flesh-colored lining, which drapes her completely, is similarly an indication of her activity in the physical world, as the yellow border is of her intelligence on the various planes oriented around matter.

            Being female and passive, she is not able to act and is therefore sitting, her baton resting on her shoulder; but she is internally gathering her powers as well as forming the gesture with her left hand to draw back and hold in place the blue fabric on her knees sufficiently to cover herself up against an exterior attack. This covering indicating the psychic powers she has in reserve at her disposal and the attack can signify an affliction as much as an adverse situation.

            The elevated seat of the Queen of Swords is here replaced by a low seat, hardly visible, to show that, being more material, she does not rely as much as on a higher plane.

            Her belt, the function of which is to support and to adjust the middle part of her body, indicates with its seven points that she is able to vibrate with confidence in the seven states of matter.[1]

            The black lines going in different directions on the ground illustrate the imperfections of the material world on which she is based and symbolize the sources of resistance, the obstacles, the difficulties which Being faces in order to ensure the workings of the energies on the material world.

Meanings As They Relate to the Three Planes

            MENTAL. Absolute confidence in one’s undertakings with respect to their resilience and their success.

            ANIMISTIC. Protection in the event of discord or disunity. She boosts confidence because the covering on her knees indicates her power of protection.

            PHYSICAL. Great internal energy, preservation in business and in health.

            INVERTED. Matters being weighed down, confusion, and vulgarity because of its matter, one has difficulty negotiating obstacles.

**

*

            In Sum, the Queen of Batons represents the gathering of his intimate forces which Man must complete beforehand to ensure his triumphovermaterial energies and his protection against their reactions.


[1] Physical, liquid, gaseous, to which are added the four ethereal states.

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Page of Batons

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Synthetic Meaning

            The Page of Batons, by its orientation towards the right, his left foot forward, prepared to walk, by his two hands placed on the vertical green baton, as if he were about to use it, indicates a tension between his passivity and an action about to take place in the material world, regarded as a source of energy.

            It indicates that the forces of nature are at the disposal of Man and are always ready to be used by him.

Analytic Meaning

            The green baton in the shape of a club, indicates the vital energies which the man will use for support, as a lever, as a hammer or, as a subtle force, by its blazing. The hands of the page are positioned on the baton without gripping it, thus indicating an awareness of these forces, and the space between them shows activity and capability in all domains, since his hold on the baton is complete.

            The Page’s red cap suggests that his work is organized on the physical plane, crowned with intelligence and the absence of subjectivity, as shown by its two bands, one yellow and the other white.

Specific Analogies

            The green of the baton signifies that matter is not able to produce any fruits until it has a state of awareness. Its shape, thicker end downward, symbolizes that matter will always be heavier, but that it will have, for the one who knows how to use it, a very solid foundation and will become his servant in all things. It may, however, be the instrument of his destruction, depending on to what use it is put.

            The red mantle, lined with yellow, worn over a blue jacket with blue and flesh-colored sleeves, symbolizes the fact that the forces of nature are only effective if one does not venture into the spiritual domain. If he does enter it, these forces will no longer be manageable by him. It will therefore be necessary for him, in order to make use of them, to cover himself with a red mantle (material), but he may not forget that, while handling them, he must dress himself inwardly with spirituality (blue).

            His bare legs remind us that these forces which are able to serve Man on his journey will not, however, bring him anything which he himself can hand down; he will remain naked, because these forces do not contribute anything in the purely spiritual domain and they do not assist his evolution.

            The black lines on the yellow ground (the mental), on his blue clothing (spiritual), and on bis flesh-colored lower half (physical action), as well as on his white hair (objectivity), represent resistant forces in the material world, but the tufts of green grass and the baton are the guarantee of an energy which will permit him to triumph over these obstacles.

Meanings As They Relate To The Three Planes

            MENTAL. Things brought to work and ready to be put to use. Shaping something which will take on a definite form.

            ANIMISTIC. An imminent union which is preparing to manifest; its physical realization.

            PHYSICAL. Imminent action (the Page holds the baton and is ready to maneuver it). Health regained. Getting started on some matter in preparation. It will proceed from the planning stage to actualization.

            INVERTED. Delay.  Complicated plans in disarray.

*           

  In sum, in its Elementary Sense, the Page of Batons indicates the fermentation of material energies available to Man and which motivate him to act.

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Page of Cups

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Synthetic Meaning

            The Page of Cups, by the orientation of his movement, by the tall uncovered cup which he is presenting before him, and by his white hair, garlanded with four-petal flowers, indicates that all work, all effort either physical or spiritual, accompanied with an offering, is becoming the harbinger or the transmitter of a beneficial contribution.

Analytic Meaning

            The passivity of the Cup, joined to that of the Page, is indicated by his step towards the left. Not having any initiative, the Page would have to remain immobile; his movement indicates therefore that this is internal and that his step symbolizes a tendency and not a reality.

            On the other hand, it is useful to remember that his change of position is only towards the left from the point of view of the person looking at the card and that, for the Page, the movement he makes is towards the right. [1]  This contradiction is apparent. The activity of the Page towards the right is within him and suggests a pronounced internal elaboration; in its exterior manifestation, this activity reverses its meaning, as the act of a personfrozen in the moment, and this reversal symbolizes a strong psychic disposition, strong owing to the internal operation of the Page, who is altruistic since it is turned towards his right,psychic in its aspect since it appears on the outside as an expansion of the heart.

Specific Analogues

            The Cup, tall and narrow, indicates depth and the retention of that which it contains; it is open so that it can be filled, thus indicating that some things must be given in exchange for the promise made by the movement of the Page, so that there is a communion.

            He holds the cup in his right hand and the lid in his in his left hand to show that Man conceals or reveals his achievements according to the needs of his undertakings.      

            The red bulge in the middle shows that the offering must be a sacrifice made in the material world.

            The veil, flesh-colored against the cup, the underside of the yellow veil surrounding his neck, is the protection which an intelligent design and the use of vital forces provide for him, since the psychic gifts born by the Page are by necessity balanced and must be protecting against any forfeiture.

            Furthermore, these offerings, half covered and not plainly revealed, are hopes, promises not yet fulfilled, and thus possibilities and not realities.

            The large red vest, floating around him, unlike the one that tightly clings to the Page of Swords, shows that he is more free of matter than is the later.

            The garland of flowers indicates that the mental elaboration of what is given and what is received by the Cup are on the animistic level, but susceptible to turning into emotional feelings; the four petals, as a set of four, suggest their becoming concrete.

            The whiteness of the hair shows the impersonality of the Page, which is to say, the absence of individualism in the beginnings of a psychic operation.

            The red shoes indicate undertakings on the lower plane.

            The black ribbing, the yellow ground, uneven, specify resistances on all the planes; the green tufts of grass indicate sources of energy vital for overcoming them, and the yellow tufts of grass are intellectual contributions.

            While the cards in the suite of Cups from Two to Ten display cups entirely yellow, with the exception of their red interiors, symbolizing the vessel of human undertakings, passionate sentiments dressed in intelligence, and which, if they start with a sincere spirit direct at that which is Above, will come to fruition; but the Cup of the PAGE has a red center, round [2], implying an energetic effort which the soul must make in the material world in order to reconcile the universal and synthetic aspects with animistic intelligence, manifested by the sphere.  [?]

Meanings As They Relate To The Three Planes

            MENTAL. Comfort in spiritual thoughts, projects. Elimination of doubt.

            ANIMISTIC. Comfort even more powerful than in the previous one, because the Cups are psychic, comfort in hopes. Emotional support.

            PHYSICAL. Being set free from an emotional matter, liberation from sorrow.  For matters of health, the hope of being healed, if there is a serious affliction.

            INVERTED. The weight of distress, psychic neediness. A feeling of complete abandonment.

*

            In sum, in its Elementary Sense, the happy, spiritual contribution which comes to Man when his psychic evolution is accompanied by the offering of his soul.

[1] On this topic see the discussions about the position of the figures presented in n. 1 on the Magician.

[2] The same detail exists for the Knight of Cups and the Queen of Cups.

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Page of Coins

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Synthetic Meaning

            The Page of Coins, wearing a hat in the shape of an 8, with one side drooping, standing firmly on grassy ground, lifting up Above a coin held in his right hand, the other hand touching his belt, while another coin is on the ground next to his right foot, suggests the existence of a plan to connect the mental and material states, resulting in a fertile yield on the planes of the material world.

Analytic Sense

            The place between the high and the low is established by the extreme placement of the two coins; the one below is not held by the Page because he does not raise matter up to mind, but rather brings mind down to matter.  The hat in the shape of an 8, with a brim bending towards the ground, also accentuates, though in an intellectual way, this action of the Page. His role as a mediator continues to be apparent because of his hand resting on his yellow belt with 4 triangles, separating the upper from the lower part of his body, thus marking the work of intelligence being exercised with a perfect balance between the higher part of matter, represented by his torso, and the lower part, indicated by his legs. The perfect balance results from the 3, a reconciled balance, repeated 4 times, as 4 constitutes material balance.

            The passivity of the Page is marked by his immobility, but the action of his right hand of holding the coin shows that this passivity contains willful activity and is the harbinger of actions to be carried out, since the right hand expresses the efforts of a human directed outward.[1]

Specific Analogies

            The hat’s figure-8 shape indicates as well that time does not exist, owing to the permanence of the balance represented by the 8, and the figure’s fixed regard for the coin he holds up indicates a persistent vigilance.

            The variety of the colors implies that the action is exercised in all the spheres.

            The tufts of green grass on the ground, flesh-colored, indicate the physical component of nervous impulses; the yellow tufts indicate the mental component, fighting against the inertia of matter represented by the black lines.

Meanings As They Relate To The Three Planes

            MENTAL. Creative intelligence, which is to say knowing how to choose the elements necessary for creation.

            ANIMISTIC. Choice of the elements necessary to arrive at one’s ends.

            PHYSICAL. Balance in business or in health.

            INVERTED. It is neutralized; the liaison officer no longer exists, and his action is rendered inoperative.

*

            In its Elementary Sense, the Page of Coins is presented to Man as a messenger announcing the realization of his projects because he has designed them in accord with that which Above and that which is below.

[1] v. the information about the Pages in the introduction to the court cards of the Minor Arcana.

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Page of Swords

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Synthetic Meaning

         The Page of Swords, through his figure turned to the left, through the use of his left hand to hold the sword, through his firmly-planted pose emphasizing immobility, expresses his passivity.[1] The large yellow sword which he holds vertically, while holding its red scabbard, indicates a strong mental action, disengaging itself from matter in order to orient itself towards the Above. The combination of all these things synthesizes the preparation of Man to detach his mental activities from matter and organize his spiritual powers on a higher plane.

Analytic Meaning

         The sword symbolizing the extension of a base (the pommel), in a specific direction (the blade), indicates the prolonging of an action whose origin is rooted in matter (the red scabbard).

         The passivity of the Page does not allow this extension to be effective and bring about a realization; it makes him accomplish a task standing in place, that is to say, a preparation in view of a future concrete action.

Specific Analogies

         The yellow lining of the cape indicates the potential of the powers of intelligence, all potential being latent and constituting a kind of envelope of forces, just as the cape envelops the man. This yellow also represents a mental action, protected by a spiritual force, designated by the blue, which will acquire its power of manifestation from physical force which, located on his shoulders, is indicated by the flesh color.

         The blade of the sword has at its base a double black line, extending into a single about two-thirds along its length, underlining thus the potential of strength [2]; its double edge and impressive pommel indicate that the man has, at the origin of his actions, a mental power with a double action, which is to say, the ability to be directed towards the good or the bad.

         The seven buttons on his tunic signify his affinity with the first seven cards and, most of all, with the 7th card.

         His hat with its large red brim, lined with blue, shows that it is being weighed down by matter, this not being able to act without the vibration of spirituality, but his yellow hair indicates that the intelligence which will motivate him and emerge from this state will come from Above.

         His head, inclined to the left, underscores his passivity as well, and his white hair his impersonality; it neither directs nor influences his undertaking, but it prepares him. The white trim of his collar, on his wrist and on the wrist guard of is sword, reinforces this notion, indicating a volitional absence of action, a negation of the personality.

         His blue legs, ending in feet shod in red posed in opposite directions, are the indication of a future progression by means of the spiritual, but now in a latent state.

         The two tufts of grass, one green and the other yellow, emerging from the rough yellow ground, offer vital and mental energy.

Meanings As They Relate To The Three Planes

         MENTAL. Events on the move, close by.

         ANIMISTIC and PHYSICAL. This card is inoperativein the physical, the blue legs and the red feet indicating a weak contact with the physical.

         INVERTED. Obstruction. Powerlessness in the face of superior forces. The inability to organize mental activities

*

         In sum, in its Elementary Sense, the Page of Swords represents the mental elaborations which are produced in the mental world of Man, when he is deciding to act.

[1]  The reader will want to refer to [p. 231]: the Page of Cups, the second paragraph of the Analytic Meaning and n. 1.

[2] With reference to this subject see the explication given for the Seven of Swords, as well as those for the Three and Five of Swords.

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Introduction to the Court Cards of the Minor Arcana

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            The Court cards of the minors are for synthesizing the polarity of numbers; activity and passivity, indicated by odd and even numbers respectively, are represented, on the one hand, by teh Knights and the Kings, and on the other hand, by the Pages and the Queens. Human representation has been used to mark a plane elevated over that of the numbers, a plan where responsibility and freedom are to be found in acts.

            More abstractly, one might say that the figures symbolize a synthesis of the quality of the numbers on a plane superior to that of the four Aces and that they are an adaptation of unity–the principle of ten numbers–to the Universal, in which Man finds himself situated.

*

            The conscious quaternary, formed by the figures, implies a terrestrial value and an evolutionary value, the first symbolizing the state of Man in the physical world, and the second, the need he has to disengage himself from the material in order to evolve.

            This is indicated by the quaternary of Pages who are distinct from that of the Knights, which differ themselves in turn from those of the Queens, as these later do from the Kings.

*

            These figures are characterized in the following way: THE PAGE, in his elevated form, is a point of departure representing consciousness, not yet with the breath of life, and enclosed in the immobility of 4; this is why it is conscious Chaos, ready to act, a potential under pressure. He is equally an annunciator and his costume and his attributes symbolize the character of an announcement.

            More elementarily, he points to things in power and in the process of being carried out, without having sufficient force himself to act because of his own passivity.

            The four Pages denote internal workings in the sense particular to each card. This is clear from the spin on each of their symbols. The Pages are represented by, in order, a very long sword, a large baton, a deep cup, and by two coins; no other court card has a doubled symbol.

*

            The KNIGHT is that Chaos which emerges from his own immobility under the influence of the spirit as it evolves. The figure is on a horse and not on foot, showing therefore that the principle of the Page is carried along in its evolution. From this it results that, not being his own master, he cannot direct his horse unless he maintains his balance.

            In its basic class, it is essentially active; it transmits and acts, pursuing the directives of the Page.

            To complete its evolution, the Knight must be in attendance of THE QUEEN who represents spiritual passivity, along with wisdom and temperance, since the feminine principle, by reason of its passivity, maintains the calm and the equilibrium necessary to receive wisdom. A fertilizing and thus creative, principle, which, in its elementary sense, brings the contributions of the Knight to light.   

*

            The three preceding figures permit the ultimate realization of THE KING, the principle of strength and power resulting from the fusion of the the passive element, the Queen, and of the active element, the Knight. The King represents domination over all the planes–the cosmic plane, for example, over the elements.

            In its elemental principle, it is a director.

*

            The court cards of the minors consist of a mix of Universal laws–ones which the set of four obeys–and the laws of matter which it directs. These cards are therefore placed last, since they are mediators.

*

            The Tarot consists, therefore, of three series relating to combinations of numbers: the first, formed by the Major Arcana, represent the action of the Universal over the combinations of the numbers; the second, formed by the Minor Arcana from 1 to 10, indicate the combinations of the numbers in themselves, and the third, formed by Court of the Minor Arcana, specifies Man’s reactions to the combinations of numbers. 

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Six of Swords

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Synthetic Meaning

            To achieve the equilibrium of the two ternaries[1], one spiritual and the other material, as well as the activity resulting from their polarization, the Six of Swords is represented entirely by six stylized swords, symbolizing, consequently, the every more subtle currents of the subconscious. They surround a flowering branch whose five petals of yellow color with a red flower rest on a white base. This signifies an attempt to bring mind into balance with the material world through a state of internal consciousness which has already evolved.

Analytic Meaning

            In a circle, the center is regarded as an abstract point, because it is only understood as the convergence of equal rays, while the circumference is visible and in contact with the exterior of the circle. It follows that the elements destined for the interior of the circle will be especially more subtle as they get closer to the center and all the more concrete when they are situated on the periphery.

            This is why the black swords signify the currents of mental activity, in the depths or on the surface of the subconscious, depending on whether they are on the interior or not.

            That which is described above essentially applies to the branch which occupies the center.

            The comparison of this branch with the one which is depicted at the center of the Four of Swords shows the work which is accomplished between that card and this one; this is more complete, contains elements less disparate, less elementary, such as the two yellow leaves of the Four of Swords and, on the other hand, the small black fruit, which represent the necessity of selection and of elimination. It is closer to the Cup, which indicates a less complete suppresion.

            But the most important thing is the white support beneath the petals. As the black color characterizes invisibility, that which is in obscurity, the white indicates that which cannot be seen because it is indistinguishable from its surroundings. Put more generally, the white light, as a synthesis of colors and a simple of spiritual purity or of higher states. This white support indicates, therefore, the orientation of the flowery elements towards a higher state by the support which they have been given.

            In the Four of Swords, the red blossom (blooming in material activities) is separated from the sevel yellow petals by a blue corolla, while in the Six of Swords, the petals are five in number and the corolla which separates them is red; psychicsm (blue), found necessary in the Four of Swords to permit the transition between the mental (yellow) and the blossom, disappears since a white support (of a higher order) is added to the task of development of the branch and allows direct contact between the mental (the blooming of the yellow petals) and the surge into matter symbolized by the red blossom. The flower on the card represents a psychic power, one that is internal but conscious of itself; the blossom indicates the effect of this power which is red, blue, or yellow.

            The red cut of the stem has the same significance as it does in the Four of Swords. 

            The four exterior flowers are the branch’s emanations which are manifested outwardly.

            The semi-circular swords have the same meaning as they do on the Four of Swords, as do the hilts and and handles.

Meanings As They Relate To The Three Planes

            MENTAL. Creative ideas, the conception of undertakings to pursue, implementation of innovative ideas.

            ANIMISTIC. Comforting, effective protection. Useful relationships among people.

            PHYSICAL. Gestation, maternity, with the hope of success. In the case of a business matter: balanced development. Harmony. Security.

            INVERTED. Mental disorders. Torments in business. One’s hopes diminished or lost An affinity for evil or disharmony.

*

            In its elementary sense, the Six of Swords indicates the mental activity of Man directed by him in order to bring about organizing and conciliating material forces.  

            [1] See “Generalities on the Numbers from 1 to 10,” no. 6.

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Five of Swords

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Synthetic Meaning

            By representing four stylized swords across which passes the accurate image of a large sword, flesh colored, the Five of Swords symbolizes breaking through the thick layer of the material 4 through forceful mental activity which draws its power from the vital energies and giving access to a state of being on a higher plane.

Analytic Meaning

            As indicated in the previous card, the “Self” was interior, and the Five of Swords manifests it on the exterior. In effect, the branch has disappeared and nothing remains but the four exterior flowers (now a little more open), indicating contibutions from the card, directed outwards and offering mitigations, hopes.

            The point of the sword, passing through the circle formed by the stylized swords, after having been enclosed in their interior, marks the transition from the quarternary plane to another plane. From a psychological point of view, it shows the phase where the Sword, redirecting its activity outward, takes on a clearer design by comparison with the exterior; in other words, the Five of Swords symbolizes an awareness, through Being, of its own individuality, through communication with the Universal.

            The blade and the hilt of the central sword, flesh-colored, indicating as in the Three of Swords, its activity and the fact that it is firmly grounded in the physical; the yellow guard shows that an intelligent Will presides over its action in the material world in order to direct it towards the spirit, and the red hilt indicates that the mental activity of the Five of Swords draws its reserves from an already-refined matter.

            The shape of the pommel and the swords in semicircle have the same meaning as they do in the Three of Swords, and the same meaning for the guards andhiltsas for the Two of Swords.

Meanings As They Relate To The Three Planes

            MENTAL. Willed, clear thought. Decision. Comprehensive understanding of events.

            ANIMISTIC. This card is less animistic, because it addresses the intellectual aspect of a psychic question. If it is a matter, for example, of a union, there will be a marriage based on reason and not out of impulse, because the activity of this card, coming as it does after the Four of Swords, implies an effort alongside a passivity which leads to a sacrifice of the animistic.

            PHYSICAL. On the road to success. On a path towards results. Power of action over accessions.

            INVERTED.  Obstinacy, heaviness, obstacle, because the point enters into the ground and finds itself stuck. Matters difficult to negotiate. Very serious halting.

*

            In its Elementary Sense, the Five of Cups represents the decision which Man makes to plough through the difficulties which are presented to him through his crystallization in the world of the elements.

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